It is summer and all my friends are dying.
It is summer and all my friends are dying.
It was the youngest looking crowd of all ages ever; Ballet has a way of preserving the body in time. While wrinkles and sallow skin are an inevitability, their bodies remain strong and erect, belying their age.
I was 15 in North Myrtle Beach,
skateboarding towards 420 World
under the stale haze of old billboards and tattered confederate flags. Big Mike worked there,
and it’s where the porn was.
When a people are made into numbers, by nature, they become divisible. By design, subtractable.
Is Los Angeles not already the Holy Land? And what about New York? We were never a country. The diaspora goes too deep. Let us free back into the diaspora again.
…Sindy continues to write about herself in third person. It may not seem much of a disclosure, but to her it is bare and breathing. She has concerns that she’ll come across as presumptuous, or as Elmo.
click to enlarge This pastel and watercolor work was created in response to the death of George Floyd followed by Black Lives Matter strikes and looting in New York City at the time.
If Christian girlies who love the fall season truly knew and embraced that their bescarved, twinkly-eyed glee comes at the behest of many who suffered brutal deaths, or that their Target scarves were forcibly made by Indonesian children for less than a dollar a day, would they smile so big when sipping those tasty PSLs?
Now concluded, Adventure Time: Fionna and Cake has catapulted the franchise to new heights with its willingness to grow with its audience and expand its universe—or, rather, multiverse.
Because in the dim parking lot
one man’s sobriety was a flower for his truths;
because Max’s hair in the rain.
12th Street staff talks about the media that’s kept them charged during the hottest summer in history. Whether you’ve found yourself on a rooftop or at the beach, or just sweating through your pants trying to catch a train, turn to our curated assemblage of recs!
There are people who talk about the Internet or reading PDFs, but the thing is, those people are all wrong. That’s the great truth of it; no matter what happens with smartphones, or streaming TV, or people ordering books off of Amazon, I think the written word is here to stay. People will always like to read physical books. For anyone who is thinking about a career in writing, there will always be demand for that and there will always be opportunities for that.
But you cannot pick around home. Maybe your home, but not my home. I can throw the doors wide–and often do so with open arms–but to refuse a beam–whether it be a corpulent bird or a hi hat trill–is to cripple such a font to its foundation. For it comes from the depths of my soul, indivisible and not mine, but inherited slowly over time with no recipe to speak of, only a dance rediscovered over and over with folkish steps, a memory recognized when lived out with abandon. I cannot choose what bubbles up from this stew.
I feel like Cameron in Ferris Bueller’s Day Off when he is struck by the Seurat painting, except there’s no John Hughes movie soundtrack in the back, and I fail to fall into the painting the way Cameron does. The pressure to discern meaning increases when other people are nearby. I’m afraid that they see something I can’t.
In the wake of extremely outgoing parents, I was allowed to drown in my shyness and stay hidden from the world. In retrospect, the label kept me safe for a time. I never had to discuss the turmoil in my life. I learned to dissect and process my pain alone. . .
Dream about the heart-shaped leaves
on the thin branches of the purple tree.
You know the one.
Where the butterflies
sleep amongst the flowers,
Blessed by the tears of the clouds.
Looking up at the world was now far clearer and a lot less scary, but self-preserving habits are hard to break. I mean, I had spent most of my life avoiding looking up for fear that I would be perceived as rude! But in Western culture especially, eye contact shows you’re polite. Eye contact with a handshake establishes confidence. Eye contact is a way of connecting with someone and showing them that you care about what they have to say. But can’t I look at the ground and still be a good listener? Can’t I still look at the ground and be a confident person if I feel like I can protect myself better? Can looking down ever be seen as a positive?
As I write this, my tastebuds pucker, saliva gathers greedily at the inside corners of my cheeks. In my mind, I see the almost hysterical orange-red color, the slightly greasy surface of Catalina as it oozes out of the little round hole in the white plastic bottle cap. Catalina is a gift my mother gave me before I left home to raise myself at 13 years old and, though it may seem strange, I don’t regret this gift.
Bothwell’s use of glass is guided by her belief that the material creates a kind of inner space when transmitting light. Curiously, as it moves through her creations, the light itself undergoes a kind of transmutation, which forms an aura around the object. These pieces carry Bothwell’s intuitive awareness of metamorphosis into the space they occupy, responding to and then transforming the light that surrounds them. Her works are physical metaphors of the constant change we undergo at any given moment.
Remember, dying ain’t pretty, and you can’t let the kiss of death linger too long. Pretend that you love him. Pretend that you are Milton’s little girl. Pretend that the pain is too much to bear. Do not laugh at how botched your aunt looks. Instead, kneel and pray—pretend to if you cannot.
A household name and a cautionary tale.