Dream about the heart-shaped leaves
on the thin branches of the purple tree.
You know the one.
Where the butterflies
sleep amongst the flowers,
Blessed by the tears of the clouds.
Dream about the heart-shaped leaves
on the thin branches of the purple tree.
You know the one.
Where the butterflies
sleep amongst the flowers,
Blessed by the tears of the clouds.
Looking up at the world was now far clearer and a lot less scary, but self-preserving habits are hard to break. I mean, I had spent most of my life avoiding looking up for fear that I would be perceived as rude! But in Western culture especially, eye contact shows you’re polite. Eye contact with a handshake establishes confidence. Eye contact is a way of connecting with someone and showing them that you care about what they have to say. But can’t I look at the ground and still be a good listener? Can’t I still look at the ground and be a confident person if I feel like I can protect myself better? Can looking down ever be seen as a positive?
Remember, dying ain’t pretty, and you can’t let the kiss of death linger too long. Pretend that you love him. Pretend that you are Milton’s little girl. Pretend that the pain is too much to bear. Do not laugh at how botched your aunt looks. Instead, kneel and pray—pretend to if you cannot.
A household name and a cautionary tale.
He doesn’t dance with me like that, Mom. He trips over my toes and splashes cranberry juice on the floor and I love it. I slurp it off of his New Balances.
It is equally easy for me to fantasize about being a writer as it is to fantasize about being a plant person. These fantasies of lifestyle and values echo each other. It is romantic until you must edit. It is romantic until you must weed.
Deep in the strange forest—half dead and sprinkled with the bones of long extinct creatures—was an even stranger nest. It was large and rotting, parts of it collapsed and covered in foliage. But it was The Mouse’s favorite place in the entire forest. The large nest was full of the prettiest rocks The Mouse had ever seen. These rocks were flat and could be pulled open and they were full of leaves. The leaves, in turn, had colorful markings on them. The leaves were mesmerizing, fascinating, and oddly delicious. On occasion, the markings looked like things The Mouse had seen. Sometimes, even The Mouse themself would be in one of the rocks.
Of course, de la Fontaine’s original story was not so full of promise and potential. At the end of the original tale, the wolf (obviously) kills and eats the lamb. The moral has something to do with the power politics between an innocent being who finds herself defenseless against an unforgiving aggressor. Coperni does, in fact, note this discrepancy between the original story and their robo-version in their artist’s statement about the show. They do not, however, acknowledge the irony.
This moment is outside of time
Ironic cause that’s what i’m needing
To teach you
Pleasure I have in my veins
This planet rewinds everyday just
To feed you
How can I be of service?
Burn me up, Wave me
Listen here patiently
Lessons entwined in my roots
Plant me within your mind so nervously
You motion for another martini and down it quickly. What number is that? Three? Five? Why hasn’t He noticed you yet? You’re drunk but not yet sloppy. You’ll leave before that happens. Catch a cab, stumble up the stairs to your fourth-floor walk up. You pick up your cell and your fingers move slowly but you put a note in your phone with the name of the bar you’re at—sober you will appreciate the breadcrumbs.
This is the work of The New Historia: to summon women deliberately left out of history and discover them and the shards of information about them that can be found. As more and more female actors are made visible, another narrative of the human experience emerges that is more inclusive, accurate, and just.
This is waiting at the window; this is the empty dirt road that weaves like a serpent through the verdant earth; this is the aroma of soda bread baking and the sound of the wireless […]
April 28, 2017 6 PM Barnes and Noble, Union Square Readers: Nick Flynn, Amber Sparks, Jenny Zhang Juliana Broad, Daniela Ochoa, Kaylin Dodson It’s free and so are you. Come over!
Drawing Party
“Drawing Party” is Sanika Phawde’s interactive piece that explores the intersections between information and democracy. Sanika created and displayed in New York City store windows posters for an event that didn’t exist. The aim was […]
Awake.
We wait. On crimson mornings, layers of leaf loam lie So deep they are an ocean of land. A heart is imprisoned in the heart of a tree And only fire can free it. So, […]
“a hung out hexology” by Laura Heckel 1 reality is that i have only seen the doctor once after my surgery and that is because i haunt him. 2 i had drains in my legs and […]
Stay Awake and See Moonlight
Alex R. Hibbert, Ashton Sanders and Trevante Rhodes play the protagonist at three different stages of his life. It’s 1:43 a.m., and I can’t sleep. I just saw Moonlight and so should you. […]
At two years old, Annabelle fell into a pool. Just dropped in and floated down through the water like an egg dropped through soup all the way to the bottom where she settled. She didn’t swim […]
This piece is a part of 12th Street Journal‘s series, “Crisis Expressive,”which focuses on why and how we, as humans, creatively express during personal and public moments of crisis. If you have a story to express, we would be exulted to […]
Date: Tuesday, December 2nd, 2014, Time: 7 p.m. Location: Union Square Barnes & Noble, 33 East 17th Street, New York, NY 10003. Please join us for the 2014-15 12th Street Journal Online launch, with an evening of readings […]