Here I’ve spent all this time building an identity as a rough and tough, non-driving native New Yorker: city savvy, fast walking and rare.
Here I’ve spent all this time building an identity as a rough and tough, non-driving native New Yorker: city savvy, fast walking and rare.
I believe in 12th Street because it offers opportunities for empathy and community, while functioning as a digital creative stage. The publishing process brings people and ideas together and ultimately benefits everyone involved.
This feeling is called Yalmståd by the Norwegian people. There is no English equivalent. Even calling it a “feeling” does it a disservice; it is both a way of seeing and of being. All we can say is thank God; as the American dialect seems increasingly interpretive, movements like Yalmståd give us the means of understanding our world.
Students of the Writer’s Life Colloquium share what they are reading to navigate these uncertain times.
Vanessa and I consider the fact that shame will be the end of these humble businesses staying in stores.
Maybe it’s the writer in me who can’t resist turning casual conversations into character studies, who treats TV episodes like weekly installments of self imposed personal growth homework.
Nothing could bring him back. And then I heard his voice.
Seven years later, Luca Guadagnino’s Suspiria has only gotten sharper, stranger, and more essential.
Spring is upon us, but how do we know?
At the venue, the line between artist and spectator is meaningfully blurred.
For his 2024 novel Twenty-Four Seconds, Reynolds realized that there were not many books addressing “black boys’ tenderness.”
Outside the wide kitchen window, the silhouette of Mount Fuji grew hazy in the dusk. When I declared, “Ieyasu is my favorite,” the pride in Papa’s smile was palpable through his thick, silvery beard.
More than anything, Glenn Ligon’s UC installation embodies Whitman’s ideas of solitude as time spent alone that inversely enables someone to come closer to the city around them.
The truth is, I don’t feel as strong a connection to people and the city when I’m dogless.
Recently, I looked around my room and thought, if I were to die inexplicably in my sleep, I would be surrounded by nothing.
Who cares about which direction the stocks are headed when you don’t know where you and your family will be sleeping tonight?
Above all, Cecilia embodied the spirit of a saint, transcending the boundaries of convention and challenging sanctimony as a trans sex worker of color.
Yes, the production design and costume design (which, if you’re counting, were BOTH nominated) are meticulous and delicious. The mostly pink pastel color palette is like visual cotton candy. But, much like real cotton candy, it is just a dessert; scrumdiddlyumptious, but not a meal.
To encounter him was a blessing.
The vibrant tapestry of city life leaves these pint-sized locals unfazed, a stark contrast to their counterparts living elsewhere who find wonder in the smallest of things.
The combined work of these artists is at its best when their individual contributions become indistinguishable. Their two different styles—Basquiat’s menagerie of symbols and words drawn from street signs and textbooks and allegory, and Warhol’s infamous screen print copy-and-paste—melt into a sea of painted expression.